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darksilenceinsuburbia:

Luis Dourado. Departure Series.

Luis Dourado‘s Departure series’ digital manipulation of photography contorts and distorts geography to explore the power of imagination. The photographs of Spanish and Portugese mountains are regarded as departures away from civilisation, as the once formidable are changed into beautiful geometric patterning by Douardo’s imaginative capability. ( by )

darksilenceinsuburbia:

Spencer Finch. Moon Dust (Apollo 17), 2009. 150 light fixtures and 417 incandescent bulbs, dimensions variable.
Courtesy of Galerie Nordenhake, Berlin.
Photo: Wolfgang Träger.

darksilenceinsuburbia:

Spencer Finch. Moon Dust (Apollo 17), 2009. 150 light fixtures and 417 incandescent bulbs, dimensions variable.

Courtesy of Galerie Nordenhake, Berlin.

Photo: Wolfgang Träger.

by9:

Daily Type 5 (by mikaelhoo)

by9:

Daily Type 5 (by mikaelhoo)

shinyslingback:

In my End is my Beginning

Dimensions 40” x 29” x 4”  
 
Lightbox mounted threadless embroidery 2011

Using manipulated lace patterns, formalised through alchemical symbolism this series attempts to illustrate a a temporary moment of continuity; a state George Baitialle believed could only be experienced in death or through sexual climax.
 
A triptych of embroideries sewn without thread, and mounted onto a light source allowing the pin holes which would normally be concealed to become filled with light exposing the sharply punctured surface and creating an almost cosmic surface.

(via 7knotwind)

darksilenceinsuburbia:

Luis Dourado. Departure Series.

Luis Dourado‘s Departure series’ digital manipulation of photography contorts and distorts geography to explore the power of imagination. The photographs of Spanish and Portugese mountains are regarded as departures away from civilisation, as the once formidable are changed into beautiful geometric patterning by Douardo’s imaginative capability. ( by )

darksilenceinsuburbia:

Spencer Finch. Moon Dust (Apollo 17), 2009. 150 light fixtures and 417 incandescent bulbs, dimensions variable.
Courtesy of Galerie Nordenhake, Berlin.
Photo: Wolfgang Träger.

darksilenceinsuburbia:

Spencer Finch. Moon Dust (Apollo 17), 2009. 150 light fixtures and 417 incandescent bulbs, dimensions variable.

Courtesy of Galerie Nordenhake, Berlin.

Photo: Wolfgang Träger.

by9:

Daily Type 5 (by mikaelhoo)

by9:

Daily Type 5 (by mikaelhoo)

shinyslingback:

In my End is my Beginning

Dimensions 40” x 29” x 4”  
 
Lightbox mounted threadless embroidery 2011

Using manipulated lace patterns, formalised through alchemical symbolism this series attempts to illustrate a a temporary moment of continuity; a state George Baitialle believed could only be experienced in death or through sexual climax.
 
A triptych of embroideries sewn without thread, and mounted onto a light source allowing the pin holes which would normally be concealed to become filled with light exposing the sharply punctured surface and creating an almost cosmic surface.

(via 7knotwind)

(Source: ilikedimples)

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